Artikel Jurnal

Programming and editing as alternative logics of music radio production (e-journal)

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The disparity between structural and phenomenological perspectives in media studies informs an unacknowledged distinction between two alternative logics of music radio production: programming and editing. Whereas programmers employ predetermined playlists nested in structural considerations, editors consider thematic associations both linearly between songs and simultaneously with shared external events. Implementation of both logics is illustrated in Israeli radio, where stations partly preserve music editing despite commercialization. By privileging the moment of the live broadcast and attending to semiotic, performative, and temporal contingencies, editors aim to encode preferred meanings, acting as engineers of collective mood. Favoring the logic of live editing over predetermined programming may provide one of radio's last advantages in the changing media field.

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Ketersediaan

Informasi Detail

Judul Seri

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No. Panggil

005.30218

Penerbit

: University of Southern California, Annenberg School for Communication & Journalism, Annenberg Press., 2013

Deskripsi Fisik

14 lembar

Bahasa

English

ISBN/ISSN

1932-8036

Klasifikasi

005.30218

Tipe Isi

text

Tipe Media

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Tipe Pembawa

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Edisi

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Subjek

EDITING
Programming

Info Detail Spesifik

Document Type: Report

Pernyataan Tanggungjawab

-

Versi lain/terkait

Lampiran Berkas

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